{"id":1564,"date":"2024-11-29T14:25:34","date_gmt":"2024-11-29T17:25:34","guid":{"rendered":"https:\/\/koffko.com.br\/?page_id=1564"},"modified":"2025-03-12T16:54:59","modified_gmt":"2025-03-12T19:54:59","slug":"debates-2024","status":"publish","type":"page","link":"https:\/\/koffko.com.br\/pt\/debates-2024\/","title":{"rendered":"Debates 2024"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

DEBATES KOFF 2024<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Dispon\u00edvel no canal do YouTube<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

MEDIADOR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Dr. Soleiman Dias\u200b<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Diretor de Rela\u00e7\u00f5es Internacionais da Chadwick International<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Click on Image to Open Video<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

DEBATE 1<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

30\/11\/2024<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

CINEMA COREANO E SOCIEDADE:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

O Papel do Cinema Coreano na abordagem de Quest\u00f5es Sociais<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

MEDIADOR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Dr. Soleiman Dias\u200b<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Diretor de Rela\u00e7\u00f5es Internacionais da Chadwick International<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Soleiman Dias, nascido em Fortaleza, mora na Coreia do Sul h\u00e1 23 anos e tem forma\u00e7\u00e3o acad\u00eamica nos EUA, com mestrado em Educa\u00e7\u00e3o Internacional e doutorado em Rela\u00e7\u00f5es Internacionais pela Universidade Hanyang. Foi professor em renomadas universidades dos EUA e da Coreia, ministrando disciplinas como Rela\u00e7\u00f5es Internacionais, Pol\u00edtica Asi\u00e1tica e Direitos Humanos. Atualmente \u00e9 Diretor de Rela\u00e7\u00f5es Internacionais da Chadwick International, escola de refer\u00eancia em inova\u00e7\u00e3o e lideran\u00e7a global. Fundador de diversas iniciativas, como o Conselho Consultivo para Estrangeiros da Zona Franca de Songdo, \u00e9 tamb\u00e9m coautor da s\u00e9rie \u201cLi\u00e7\u00f5es do Outro Lado\u201d, baseada em suas cartas sobre viagens a pa\u00edses como Coreia do Norte e Cazaquist\u00e3o.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Dr. Josmar de Oliveira Reyes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Professor e pesquisador da Unisinos\/RS<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Doutor em Ci\u00eancias da Informa\u00e7\u00e3o e Comunica\u00e7\u00e3o, Artes C\u00eanicas e Novas Tecnologias pela Universit\u00e9 de Paris 3 (Sorbonne Nouvelle), p\u00f3s-doutorado em Cinema Sul-Coreano pela Universit\u00e9 de Paris 3 (Sorbonne Nouvelle), professor e pesquisador do Curso de Dire\u00e7\u00e3o Audiovisual da Unisinos (Universidade do Vale do Rio dos Sinos);<\/p>

\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Kang Mina<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Diretor<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Formada em cinema pela Universidade Myongji, Kang Mina aprimorou seu senso visual trabalhando em videoclipes enquanto desenvolvia filmes em projetos independentes. Dirigiu, escreveu e editou quatro curtas-metragens: Lemon Summer, Soup is Not Free, Cicadas e Beyond. Em particular, Soup Is Not Free e Beyond foram exibidos na competi\u00e7\u00e3o KOFF em 2023 e 2024, respectivamente. Soup is not free recebeu o pr\u00eamio de melhor curta-metragem no KOFF 2023. Atualmente est\u00e1 preparando um longa-metragem.<\/p>

\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Razan Takash<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Chefe de Cinema | SAE Dubai<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Razan Takash, escritor, diretor e produtor jordaniano, tem mais de 12 anos de experi\u00eancia em cinema e TV no Oriente M\u00e9dio e nos Emirados \u00c1rabes Unidos. Diretora de cinema na SAE University Dubai, ela combina teoria e pr\u00e1tica no ensino de produ\u00e7\u00e3o cinematogr\u00e1fica. Takash dirigiu programas infantis para o Majid Channel e contribuiu para Star Wars: The Force Awakens. Seu filme Shah Mat ganhou o 48 Hour Film Project Dubai em 2016, com pr\u00eamios de Melhor Diretor e Melhores Efeitos Especiais. Em 2020, seu curta M1das recebeu 14 pr\u00eamios em 24 festivais internacionais, incluindo Melhor Curta de Fic\u00e7\u00e3o Cient\u00edfica e Melhor Diretora Feminina.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Aileen Yujeong Min <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pesquisadora<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Aileen \u00e9 estudante de mestrado em Estudos de Cinema e M\u00eddia na Universidade de Columbia, em Nova York, com interesses de pesquisa em est\u00e9tica, intermidialidade e textualidade na cultura visual contempor\u00e2nea do Leste Asi\u00e1tico. Seu trabalho se concentra no cinema coreano, na arte digital e na literatura, examinando como esses meios se cruzam para moldar a representa\u00e7\u00e3o cultural e a subjetividade humana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Vanderlei Henrique Mastropaulo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pesquisador e professor de cinema<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Ge\u00f3grafo pela FFLCH (Faculdade de Filosofia, Letras e Ci\u00eancias Humanas) e mestre em Comunica\u00e7\u00e3o e Cultura pelo PROLAM (Programa de Integra\u00e7\u00e3o Latino-Americana), ambos pela USP. Atuou como produtor cultural e audiovisual de 2010 a 2014. Ministra cursos e palestras de cinema desde 2015, com \u00eanfase em cineastas latino-americanos e asi\u00e1ticos. Participou da equipe de pesquisa do document\u00e1rio \u201cA Caixa-preta de Fernando Morais\u201d, com lan\u00e7amento previsto para 2025. Atualmente dirige o document\u00e1rio \u201cPenso, logo animo\u201d, sobre a trajet\u00f3ria do Centro de Cinema de Anima\u00e7\u00e3o de Campinas.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

MEDIADOR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Simon Mcenteggar<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Professor Associado\/Cineasta Simon McEnteggart (University of Utah Asia Campus)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Click on Image to Open Video<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

DEBATE 2<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

05\/12\/2024<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

CINEMA P\u00d3S-COVID:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

O Retorno do P\u00fablico aos Cinemas<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

MEDIADOR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Simon Mcenteggar<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Professor Associado\/Cineasta Simon McEnteggart (University of Utah Asia Campus)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Simon McEnteggart \u00e9 professor associado no departamento de Cinema e Artes de M\u00eddia do Asia University Campus em Incheon, Coreia do Sul, onde leciona estudos de cinema coreano, hist\u00f3ria do cinema e produ\u00e7\u00e3o de document\u00e1rios. Ele tamb\u00e9m \u00e9 escritor e diretor de um document\u00e1rio sobre cineastas coreanas na hist\u00f3ria do cinema coreano.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Roberto Gervitz<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Brasileiro; \u201cBra\u00e7os Cruzados M\u00e1quinas Paradas\u201d, diretor, roteirista e montador, longa-metragem document\u00e1rio; \u201cFeliz Ano Velho\u201d \u2013 roteirista e diretor \u2013 longa-metragem de fic\u00e7\u00e3o; \u201cJogo Subterr\u00e2neo\u201d, co-roteirista e diretor -Longa fic\u00e7\u00e3o; \u201cCarandiru-Outras Hist\u00f3rias\u201d, dirige 4 epis\u00f3dios da s\u00e9rie, com dire\u00e7\u00e3o geral Hector Babenco; \u201cProva de Coragem\u201d, roteirista e diretor longa-metragem de fic\u00e7\u00e3o; \u201cNa Dan\u00e7a! doc\u201d, dire\u00e7\u00e3o e roteiro; longa-metragem document\u00e1rio. Festivais: Berlim, Montreal, Exposi\u00e7\u00e3o Internacional (SP); pr\u00eamios: Leipzig; Grama; Havana; Palm Springs.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Kim Kihyun<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Diretor<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Nasceu na Coreia em 1994. Formou-se no Departamento de Produ\u00e7\u00e3o Cinematogr\u00e1fica e Televisiva da Universidade de Artes de Seul. Atualmente estuda Gest\u00e3o de Artes na Escola de Artes da Universidade Chung-Ang. Entre seus trabalhos cinematogr\u00e1ficos como diretor est\u00e3o: \uc544\ube60\ub294 \uc288\ud37c\ub9e8(My Father is Superman) (2012), \uc601\ud654\uc758 \uc878\uc5c5(The Film Graduation) (2016), \uadf8 \uc5ec\ub984\uc758 \ub05d(The End of That Summer) (2018) e Babari (2021).<\/p>

\u2022 CEO do Saragon Content Lab
\u2022 Produtora de not\u00edcias na MBN
\u2022 Diretora de produ\u00e7\u00e3o do programa de variedades da Internet Captain Rock Indie
\u2022 Produtora KOFF, Brasil
\u2022 Diretora de produ\u00e7\u00e3o de \u00c0s vezes na OBS\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Minom Pinho<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Produtora de Cinema<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Empres\u00e1ria, produtora criativa de cinema e artes visuais, consultora e palestrante. Lidera a produtora Casa Redonda, o FIM Cine \u2013 Festival Internacional de Mulheres no Cinema de S\u00e3o Paulo e a startup Navega para cursos criativos online. Produziu e coproduziu longas-metragens de grande circula\u00e7\u00e3o em mercados e festivais nacionais e internacionais. Consultor de pol\u00edtica cultural com \u00eanfase em audiovisual atendendo empresas, governos e organiza\u00e7\u00f5es sociais. \u00c9 membro da +Mulheres \u2013 Lideran\u00e7a Audiovisual Brasileira e diretora federal da APACI \u2013 Associa\u00e7\u00e3o de Cineastas de S\u00e3o Paulo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Robert Albertsen<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

CEO e Diretor de Arte da Spicy Gator Productions, LLC; Albie\u2019s Art, propriet\u00e1rio e artista profissional de m\u00eddia mista.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Robert Michael Albertsen Jr. iniciou sua carreira no Ex\u00e9rcito dos EUA, servindo na 82\u00aa Divis\u00e3o Aerotransportada, onde desenvolveu disciplina e aten\u00e7\u00e3o aos detalhes, recebendo o Distintivo de Especialista em Infantaria e outras condecora\u00e7\u00f5es. Com experi\u00eancia em constru\u00e7\u00e3o, design e seguran\u00e7a f\u00edsica, ingressou no programa de Produ\u00e7\u00e3o Virtual da DAVE School, integrando uma equipe de efeitos visuais premiada com o Silver Telly Award em 2024 por The Unending. Seus trabalhos digitais incluem capas de livros na Amazon, como a s\u00e9rie Warrior Women of Superian Island, de Ace Johnson, destacando sua capacidade de dar vida a vis\u00f5es criativas. Propriet\u00e1rio da Albie\u2019s Art e CEO da Spicy Gator Productions, LLC, ele combina precis\u00e3o militar e experi\u00eancia em anima\u00e7\u00e3o digital para criar designs personalizados, moedas comemorativas e ativos 3D de alta qualidade.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Aileen Yujeong Min <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pesquisadora<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Aileen \u00e9 estudante de mestrado em Estudos de Cinema e M\u00eddia na Universidade de Columbia, em Nova York, com interesses de pesquisa em est\u00e9tica, intermidialidade e textualidade na cultura visual contempor\u00e2nea do Leste Asi\u00e1tico. Seu trabalho se concentra no cinema coreano, na arte digital e na literatura, examinando como esses meios se cruzam para moldar a representa\u00e7\u00e3o cultural e a subjetividade humana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

MEDIADOR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Jo\u00e3o Paulo Amaral Schlittler <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Professor Associado ECA USP<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Click on Image to Open Video<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

DEBATE 3<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

10\/12\/2024<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

CINEMA COREANO E O MERCADO GLOBAL:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

O impacto global da onda coreana na ind\u00fastria cinematogr\u00e1fica<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

MEDIADOR<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Jo\u00e3o Paulo Amaral Schlittler <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Professor Associado ECA USP<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Professor Associado do Curso Superior de Audiovisual da ECA USP e do Programa de P\u00f3s-Gradua\u00e7\u00e3o em Design da FAU USP, possui p\u00f3s-gradua\u00e7\u00e3o na especialidade Anima\u00e7\u00e3o e Design em Movimento, doutorado em Design e Arquitetura e mestrado em Telecomunica\u00e7\u00f5es Interativas. \u00c9 l\u00edder do ZOOTROPO \u2013 Grupo de estudos de anima\u00e7\u00e3o e motion graphics. Foi diretor de arte da HBO, Discovery Networks e TV Cultura.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Hyojun Kim<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Diretor<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Hyojun Kim, born in Seoul in 1988, is a director known for his thought-provoking films that explore intimate and broader human relationships. He began his cinematic journey unexpectedly while still at school and has since developed a unique style, focusing on stories that stimulate reflection. His work has won numerous awards at major film festivals including Cannes, Busan and Seoul, with standout films including \u00daltima Cena (2023), Cut and Paste (2022) and Joker (2020).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Carlos Zibel<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Universidade de Salford em Manchester \u2013 Programa de Produ\u00e7\u00e3o Cinematogr\u00e1fica<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Arquiteto, designer, cr\u00edtico e curador, \u00e9 professor colaborador do Programa de P\u00f3s-Gradua\u00e7\u00e3o em Design da FAUUSP. Possui bacharelado, mestrado e doutorado pela FAUUSP, onde coordenou o Curso de Design (2009-2011) e atuou como pesquisador no NUTAU. Sua carreira abrange arquitetura, design e arte, com foco no pensamento contempor\u00e2neo, intera\u00e7\u00e3o e audiovisual. Premiado no Museu da Casa Brasileira Design (2010), possui publica\u00e7\u00f5es nacionais e internacionais e foi curador da 8\u00aa Bienal Internacional de Arquitetura. Atualmente atua como cr\u00edtico e artista visual, com ampla experi\u00eancia acad\u00eamica e profissional.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Hugo Katsuo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Mestre em Cinema e Audiovisual (PPGCine-UFF), cineasta e poeta.<\/div><\/div><\/div>
\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n
\n
Hugo Katsuo \u00e9 bacharel e mestre em Cinema e Audiovisual pela Universidade Federal Fluminense, al\u00e9m de cineasta e poeta. Na pesquisa, concentra-se no tema das representa\u00e7\u00f5es racializadas no cinema e no audiovisual, com foco na racializa\u00e7\u00e3o amarela. Tamb\u00e9m coorganizou, com Edylene Severiano, o livro O \u201cPerigo Amarelo\u201d nos dias atuais: reflex\u00f5es de uma nova gera\u00e7\u00e3o, lan\u00e7ado em 2023, pelo Selo CaminhoS. Como cineasta dirigiu filmes como Batchan (2020), Da Fic\u00e7\u00e3o (2022) e Pela Palavra. (2024). Na poesia, em 2023, lan\u00e7ou o livro Amarelo dados, pela Editora Urutau.<\/div>\n<\/div>\n<\/div>\n
<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Aileen Yujeong Min <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pesquisadora<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Aileen \u00e9 estudante de mestrado em Estudos de Cinema e M\u00eddia na Universidade de Columbia, em Nova York, com interesses de pesquisa em est\u00e9tica, intermidialidade e textualidade na cultura visual contempor\u00e2nea do Leste Asi\u00e1tico. Seu trabalho se concentra no cinema coreano, na arte digital e na literatura, examinando como esses meios se cruzam para moldar a representa\u00e7\u00e3o cultural e a subjetividade humana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CONVIDADO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Liyu Arega<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Universidade de Salford em Manchester \u2013 Programa de Produ\u00e7\u00e3o Cinematogr\u00e1fica<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Tendo me mudado da Eti\u00f3pia para a Coreia em 2018, frequentei e me formei na Chadwick International. Eu estava na turma de formandos de 2022 e ao concluir meus estudos, obtive meu Diploma IB completo. Atualmente sou estudante de cinema do terceiro ano na Universidade de Salford. Tendo descoberto minha paix\u00e3o pelo cinema enquanto estava em Chadwick, estou feliz em seguir uma carreira na produ\u00e7\u00e3o cinematogr\u00e1fica. Produzi v\u00e1rios filmes durante meu tempo na universidade e tamb\u00e9m tenho experi\u00eancia trabalhando como 1\u00ba AD, designer de produ\u00e7\u00e3o e diretor. Tamb\u00e9m fui volunt\u00e1rio em festivais de cinema como o Sunrise Film Festival e o Kino Film Festival e tamb\u00e9m tive a maravilhosa oportunidade de me tornar um produtor de sombra em um filme de terror em l\u00edngua galesa.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

DEBATES KOFF 2024 Available on the YouTube channel MEDIATOR Dr. Soleiman Dias\u200b Director of International Relations at Chadwick International https:\/\/www.youtube.com\/watch?v=XJ8fb_YtMOk Click on Image to Open Video DEBATE 1 30\/11\/2024 KOREAN FILM AND SOCIETY: The Role of Korean Cinema in Addressing Social Issues MEDIATOR Dr. Soleiman Dias\u200b Director of International Relations at Chadwick International Soleiman Dias, […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1564","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/pages\/1564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/comments?post=1564"}],"version-history":[{"count":158,"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/pages\/1564\/revisions"}],"predecessor-version":[{"id":4444,"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/pages\/1564\/revisions\/4444"}],"wp:attachment":[{"href":"https:\/\/koffko.com.br\/pt\/wp-json\/wp\/v2\/media?parent=1564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}